Jeff “Vintage Dick” Goldblum in GQ Magazine, September 2014
Katsuhiro Otomo - Sayonara America, Sayonara Nippon
Man, I love the scale of this. John Harris is pretty amazing.
Leonce Raphael Agbodjelou. Untitled (Vodou Series), 2011.
Leonce Raphael Agbodjelou’s photographs of the people of Porto-Novo, Benin (formerly Republic of Dahomey) are drawn from street life, his friends, family and studio customers. Benin is all about colour – Porto Novo is like a visual assault.In Leonce’s impressive portraits, wild combinations of locally designed Dutch imported textiles create extreme gradations between background, foreground, person and clothing. Leonce is part of a generation experiencing rapid change and his photographs capture the energy and unfettered zest for life of a people caught between tradition and progress.
Solar energy that doesn’t block the view
A team of researchers at Michigan State University has developed a new type of solar concentrator that when placed over a window creates solar energy while allowing people to actually see through the window. It is called a transparent luminescent solar concentrator and can be used on buildings, cell phones and any other device that has a clear surface. And, according to Richard Lunt of MSU’s College of Engineering, the key word is “transparent.”
…if this works and we put it on every window we’ve got we will be set for energy forever. My god I love living in the future.
A monster mouth doorway, ruined pyramid temples and palace remains emerged from the Mexican jungle as archaeologists unearthed two ancient Mayan cities.
Found in the southeastern part of the Mexican state of Campeche, in the heart of the Yucatan peninsula, the cities were hidden in thick…
Kanye West - Blood On The Leaves
Apparently David Lynch liked this track and wanted to do a video for it, but when he met with Kanye they have creative chemistry and decided not to.
These awesome illuminated inflatable white rabbits are the work of Australian artist Amanda Parer for an installation entitled Intrude. In May 2014 the giant glowing bunnies were installed at the Vivid Festival of Light Sydney and next month they’ll be part of the Junction Arts Festival in Launceston, Tasmania.
Parer’s enormous and radiant rabbits, which stand 7 meters (~23 feet) tall, were created as a twofold response to the animals’ common occurrence in Australian fairytales as well as their invasive presence throughout Australia:
"These animals first travelled to Australia on the ships of the First Fleet and were brought ashore in cages in January 1788. These adaptable creatures quickly made themselves at home and eventually spread to almost every corner of the land. An Australian contradiction, Intrude represents the fairy-tale animals of our childhood – a furry innocence, frolicking through idyllic fields, while revealing their more serious and large-scale effect on the environment.”
[via Lost At E Minor]